The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 156
... effect , that there was nothing inherently interesting about the shapes except their refinement of proportion and tuning , and that they were to be seen as racks for colour , nothing more . " I wanted to have color be the origin of the ...
... effect , that there was nothing inherently interesting about the shapes except their refinement of proportion and tuning , and that they were to be seen as racks for colour , nothing more . " I wanted to have color be the origin of the ...
Pagina 371
... effect on German politics was nil , and its impact on radical thought probably much smaller than the modernist legend would have us think - although George Grosz's drawings and Hannah Höch's collages are among the most vivid and biting ...
... effect on German politics was nil , and its impact on radical thought probably much smaller than the modernist legend would have us think - although George Grosz's drawings and Hannah Höch's collages are among the most vivid and biting ...
Pagina 387
... effect of Picasso's work was to close the traditions in the act of reinventing them . Duchamp opened up a small but decisive area of liberty into which scores of younger artists found themselves admitted . The freedom was entirely ...
... effect of Picasso's work was to close the traditions in the act of reinventing them . Duchamp opened up a small but decisive area of liberty into which scores of younger artists found themselves admitted . The freedom was entirely ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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