The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 129
... entirely so : whole tracts of his imagination belong more to the Third Empire than to the twentieth century , and one of them was his fondness for allegory . He wanted his paintings to be moral fables , and portentous ones at that ; he ...
... entirely so : whole tracts of his imagination belong more to the Third Empire than to the twentieth century , and one of them was his fondness for allegory . He wanted his paintings to be moral fables , and portentous ones at that ; he ...
Pagina 175
... entirely com- mercial and scarcely residential at all . Moreover , official architects were conservative by nature , and preferred the Beaux - Arts to the Yankee grid and all that it implied . The second material of the future Utopia ...
... entirely com- mercial and scarcely residential at all . Moreover , official architects were conservative by nature , and preferred the Beaux - Arts to the Yankee grid and all that it implied . The second material of the future Utopia ...
Pagina 308
... entirely , for what Brancusi learned from Rodin was the importance of the sculptural skin as an expressive envelope . Rodin stated the pathetic or heroic play of tendons and bones below , as Henry Moore , in the forties , would endow ...
... entirely , for what Brancusi learned from Rodin was the importance of the sculptural skin as an expressive envelope . Rodin stated the pathetic or heroic play of tendons and bones below , as Henry Moore , in the forties , would endow ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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