The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 17
... everything is subjective anyway , " so that no clear or truthful statements can be made . Nor does it mean that if I see a mouse under the chair I can will the creature out of existence as a mere construction of mind , a figment of ...
... everything is subjective anyway , " so that no clear or truthful statements can be made . Nor does it mean that if I see a mouse under the chair I can will the creature out of existence as a mere construction of mind , a figment of ...
Pagina 154
... everything there was designed by Matisse : crucifix and altar , stained - glass windows , Stations of the Cross , vestments , the lot . Matisse's chasubles , with their refulgent and sonorous colour harmonies and unexpected ...
... everything there was designed by Matisse : crucifix and altar , stained - glass windows , Stations of the Cross , vestments , the lot . Matisse's chasubles , with their refulgent and sonorous colour harmonies and unexpected ...
Pagina 346
... Everything the camera gives us is slightly interesting . Not for long ; just for now . The extension , on the human ... everything it touched , Warhol projected an ironic and affectless cool , which let everything be itself . Warhol's ...
... Everything the camera gives us is slightly interesting . Not for long ; just for now . The extension , on the human ... everything it touched , Warhol projected an ironic and affectless cool , which let everything be itself . Warhol's ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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