The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 102
... exists today – the remains of Hitler's reviewing stand at the Zeppelin Field in Nuremberg . As the Berlin Dome was the Nazi equivalent , and precise opposite , to Tatlin's tower , so this wreck of a building counterfaces Lissitzky's ...
... exists today – the remains of Hitler's reviewing stand at the Zeppelin Field in Nuremberg . As the Berlin Dome was the Nazi equivalent , and precise opposite , to Tatlin's tower , so this wreck of a building counterfaces Lissitzky's ...
Pagina 141
... exists behind me . I express the space and the objects in it as naturally as though I had only the sea and the sky in front of me : that is , the simplest thing in the world . " Other great painters believed that their emotional ...
... exists behind me . I express the space and the objects in it as naturally as though I had only the sea and the sky in front of me : that is , the simplest thing in the world . " Other great painters believed that their emotional ...
Pagina 211
... exists , to avoid mortgaging a workable past to a nonexistent Future , and to think small . In the life of cities , only conservatism is sanity . It has taken almost a century of modernist claims and counterclaims to arrive at such a ...
... exists , to avoid mortgaging a workable past to a nonexistent Future , and to think small . In the life of cities , only conservatism is sanity . It has taken almost a century of modernist claims and counterclaims to arrive at such a ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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