The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 51
In 1915 , on a visit to New York , he declared that “ upon coming to America it flashed on me that the genius of the modern world is in machinery and that through machinery art ought to find a most vivid expression .
In 1915 , on a visit to New York , he declared that “ upon coming to America it flashed on me that the genius of the modern world is in machinery and that through machinery art ought to find a most vivid expression .
Pagina 161
... or inventing abstract ' forms insufficiently rooted in the concrete , in the world of feeling where art originates , and of which modern French poetry is an expression . Modernist painting has not evolved merely in relation to the ...
... or inventing abstract ' forms insufficiently rooted in the concrete , in the world of feeling where art originates , and of which modern French poetry is an expression . Modernist painting has not evolved merely in relation to the ...
Pagina 292
Few painters have ever set such a value on the unrestrained expression of feeling , while remaining so indifferent to the society about them . Soutine never produced a “ socially committed ” painting , perhaps because he was , in any ...
Few painters have ever set such a value on the unrestrained expression of feeling , while remaining so indifferent to the society about them . Soutine never produced a “ socially committed ” painting , perhaps because he was , in any ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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