The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 17
... eye , brain , and object . It is an ideal view , imagined as being seen by a one - eyed , motionless person who is clearly detached from what he sees . It makes a god of the spectator , who becomes the person on whom the whole world ...
... eye , brain , and object . It is an ideal view , imagined as being seen by a one - eyed , motionless person who is clearly detached from what he sees . It makes a god of the spectator , who becomes the person on whom the whole world ...
Pagina 114
Robert Hughes. eye ! " ) Cézanne said of Monet . Cézanne's reservation was shared by some of his juniors , who saw Impressionism as the dictatorship of the eye over the mind . They wanted to give their images the permanence and dignity ...
Robert Hughes. eye ! " ) Cézanne said of Monet . Cézanne's reservation was shared by some of his juniors , who saw Impressionism as the dictatorship of the eye over the mind . They wanted to give their images the permanence and dignity ...
Pagina 167
... eyes of a few gifted and missionary designers scattered across Europe , architecture itself had become a symbol of inequality ; and decorated architecture even more so . The distrust of décor in early modernism was not simply an ...
... eyes of a few gifted and missionary designers scattered across Europe , architecture itself had become a symbol of inequality ; and decorated architecture even more so . The distrust of décor in early modernism was not simply an ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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