The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 173
... face of the spandrels from the face of the piers . So the vertical piers dominate the pattern . They soar unimpeded to finish in arches , and are emphasized by the brilliant , graphic accents of the round top - floor windows . The ...
... face of the spandrels from the face of the piers . So the vertical piers dominate the pattern . They soar unimpeded to finish in arches , and are emphasized by the brilliant , graphic accents of the round top - floor windows . The ...
Pagina 283
... faces as masks , formalized signs for themselves ; Lautrec condensed this in the face of May Milton , lit from below in jarring contrasts of red , acid green , and whitish gaslight yellow , which rears up at the slipping right edge of ...
... faces as masks , formalized signs for themselves ; Lautrec condensed this in the face of May Milton , lit from below in jarring contrasts of red , acid green , and whitish gaslight yellow , which rears up at the slipping right edge of ...
Pagina 400
... face into grimaces and then sculpted them , with the utmost fidelity , in the belief that each expression was a charm to repel the demons he thought were afflicting him . The procedure Rainer followed was to contort his face and body in ...
... face into grimaces and then sculpted them , with the utmost fidelity , in the belief that each expression was a charm to repel the demons he thought were afflicting him . The procedure Rainer followed was to contort his face and body in ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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