The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 298
In fact , Bacon is a highly mannered artist . It takes no mean feat of aesthetic self - removal to be able to inspect the gums and saliva of a screaming mouth as Monet did a lilypad . This distancing has enabled Bacon to master his ...
In fact , Bacon is a highly mannered artist . It takes no mean feat of aesthetic self - removal to be able to inspect the gums and saliva of a screaming mouth as Monet did a lilypad . This distancing has enabled Bacon to master his ...
Pagina 392
It would also show – or at least not try to conceal or skimp - the fact of the deep connections between modern art and the ... De Chirico and the Surrealists ended up hating one another , but in MOMA's eyes both were cultural facts .
It would also show – or at least not try to conceal or skimp - the fact of the deep connections between modern art and the ... De Chirico and the Surrealists ended up hating one another , but in MOMA's eyes both were cultural facts .
Pagina 404
Although the fact that so many painters were now staking their claim to attention on having revived a tradition - instead of making incursions into the New - showed how far the temper of the art world had swung from avant - gardism ...
Although the fact that so many painters were now staking their claim to attention on having revived a tradition - instead of making incursions into the New - showed how far the temper of the art world had swung from avant - gardism ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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