The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 102
... fact , marked the point at which architecture must necessarily concede defeat – in a mass state – to mass media . The Nazis could not scale up the politics of the agora to the dimensions of the Thousand - Year Reich , by bringing all ...
... fact , marked the point at which architecture must necessarily concede defeat – in a mass state – to mass media . The Nazis could not scale up the politics of the agora to the dimensions of the Thousand - Year Reich , by bringing all ...
Pagina 298
... fact , Bacon is a highly mannered artist . It takes no mean feat of aesthetic self - removal to be able to inspect the gums and saliva of a screaming mouth as Monet did a lilypad . This distancing has enabled Bacon to master his ...
... fact , Bacon is a highly mannered artist . It takes no mean feat of aesthetic self - removal to be able to inspect the gums and saliva of a screaming mouth as Monet did a lilypad . This distancing has enabled Bacon to master his ...
Pagina 392
... fact of the deep connections between modern art and the painting and sculpture of preceding centuries : connections ... facts . The new pantheon wanted everything and its opposite . It thus tended to defuse the tensions of all moments ...
... fact of the deep connections between modern art and the painting and sculpture of preceding centuries : connections ... facts . The new pantheon wanted everything and its opposite . It thus tended to defuse the tensions of all moments ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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