The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 17
... field . The eye is clearly distinct from that field , as the brain is separate from the world it contemplates . Despite its apparent precision , perspective is a generalization about experience . It schematizes but does not really ...
... field . The eye is clearly distinct from that field , as the brain is separate from the world it contemplates . Despite its apparent precision , perspective is a generalization about experience . It schematizes but does not really ...
Pagina 203
... field of connecting energies , inflected with great subtlety , here dense and crackling , there vaporous . His immediately pre - Cubist paintings are filled with urgency , as though the branches of the apple tree , festooning the sky ...
... field of connecting energies , inflected with great subtlety , here dense and crackling , there vaporous . His immediately pre - Cubist paintings are filled with urgency , as though the branches of the apple tree , festooning the sky ...
Pagina 271
... field of energy of which nature is a manifestation ; it pours through the light and rises from the ground , solidifying in the trees . Because olives grow so slowly , the broad relationships of tree and field , foreground and background ...
... field of energy of which nature is a manifestation ; it pours through the light and rises from the ground , solidifying in the trees . Because olives grow so slowly , the broad relationships of tree and field , foreground and background ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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