The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 17
Perspective gathers the visual facts and stabilizes them ; it makes of them a unified field . The eye is clearly distinct from that field , as the brain is separate from the world it contemplates . Despite its apparent precision ...
Perspective gathers the visual facts and stabilizes them ; it makes of them a unified field . The eye is clearly distinct from that field , as the brain is separate from the world it contemplates . Despite its apparent precision ...
Pagina 203
As in Cubism , the surface becomes less a pattern of objects than a field of connecting energies , inflected with great subtlety , here dense and crackling , there vaporous . His immediately pre - Cubist paintings are filled with ...
As in Cubism , the surface becomes less a pattern of objects than a field of connecting energies , inflected with great subtlety , here dense and crackling , there vaporous . His immediately pre - Cubist paintings are filled with ...
Pagina 271
Because olives grow so slowly , the broad relationships of tree and field , foreground and background that van Gogh grasped in the landscape near the asylum have changed very little in the last century , so that many of the motifs he ...
Because olives grow so slowly , the broad relationships of tree and field , foreground and background that van Gogh grasped in the landscape near the asylum have changed very little in the last century , so that many of the motifs he ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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