The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 21
When he began to parody black art , he was stating what no eighteenth - century artist would ever have imagined suggesting : that the tradition of the human figure , which had been the very spine of Western art for two and a half ...
When he began to parody black art , he was stating what no eighteenth - century artist would ever have imagined suggesting : that the tradition of the human figure , which had been the very spine of Western art for two and a half ...
Pagina 217
Human society has either ceased to exist or been shrunken to tiny , faraway figures which cannot communicate in any ... The main figures in the piazze are sculptures , some of them quite recognizable : de Chirico's recurrent figure of ...
Human society has either ceased to exist or been shrunken to tiny , faraway figures which cannot communicate in any ... The main figures in the piazze are sculptures , some of them quite recognizable : de Chirico's recurrent figure of ...
Pagina 377
Muffled in form , tinged with the pathos of the discarded chrysalis ( plate 243 ) , his plaster figures have kept their place on the edge of modernism for the better part of twenty years . At first they were identified with Pop ...
Muffled in form , tinged with the pathos of the discarded chrysalis ( plate 243 ) , his plaster figures have kept their place on the edge of modernism for the better part of twenty years . At first they were identified with Pop ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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