The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 85
... future ; they may have had a distant effect on the grandiose , unrealized schemes for social rebuilding that the Russian Constructivists spun after 1917. At times , Malevich's architectural - sculptural fantasies took on a naïvely ...
... future ; they may have had a distant effect on the grandiose , unrealized schemes for social rebuilding that the Russian Constructivists spun after 1917. At times , Malevich's architectural - sculptural fantasies took on a naïvely ...
Pagina 172
... future for another forty years . But Sant ' Elia never put up a real building . In the real world , the shapes of the future had been developing in America . They could be seen in the primary forms of its industrial buildings : the ...
... future for another forty years . But Sant ' Elia never put up a real building . In the real world , the shapes of the future had been developing in America . They could be seen in the primary forms of its industrial buildings : the ...
Pagina 209
... Future - the triumph of sunlight , reason , and the automobile . It would show what the International Style could do ... Future , rather than for a real world . In the Future , everyone would have a car and so the car , as in Corbusier's ...
... Future - the triumph of sunlight , reason , and the automobile . It would show what the International Style could do ... Future , rather than for a real world . In the Future , everyone would have a car and so the car , as in Corbusier's ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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