The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 71
... give art so much urgency ? Some of the Berlin Dadaists John Heartfield , George Grosz , Hannah Höch , and Raoul Hausmann - believed it was photomontage , a kind of collage done with photo - reproduced images clipped from newspapers and ...
... give art so much urgency ? Some of the Berlin Dadaists John Heartfield , George Grosz , Hannah Höch , and Raoul Hausmann - believed it was photomontage , a kind of collage done with photo - reproduced images clipped from newspapers and ...
Pagina 124
... give us . Their third explorer in the late nineteenth century , after Seurat and Monet , was Paul Cézanne , on whose ... gives a motif of the highest interest , and so varied that I think I could be occupied for months without changing ...
... give us . Their third explorer in the late nineteenth century , after Seurat and Monet , was Paul Cézanne , on whose ... gives a motif of the highest interest , and so varied that I think I could be occupied for months without changing ...
Pagina 260
... give oneself over completely to the unconscious is to become a slave . " Hence , he argued , automatism " is ... gives the impression of looking into a tangle of grasses , close up , on a hot summer day , with the eye very close to the ...
... give oneself over completely to the unconscious is to become a slave . " Hence , he argued , automatism " is ... gives the impression of looking into a tangle of grasses , close up , on a hot summer day , with the eye very close to the ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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