The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 81
... hope that there could be twin revolutions in the spheres of art and of politics , but this hope was grounded in the nature of late tsarist Russia : an all but static society , not yet industrialized , with little mass communication ...
... hope that there could be twin revolutions in the spheres of art and of politics , but this hope was grounded in the nature of late tsarist Russia : an all but static society , not yet industrialized , with little mass communication ...
Pagina 211
... hope , will not be repeated ; the Utopian buck stops here . - - - And so Brasília is emblematical . The last half century , in architecture , has witnessed the death of the Future . Like the Baroque , or the High Renaissance , the ...
... hope , will not be repeated ; the Utopian buck stops here . - - - And so Brasília is emblematical . The last half century , in architecture , has witnessed the death of the Future . Like the Baroque , or the High Renaissance , the ...
Pagina 373
... hope of changing the world . The quest for formal perfection , and the renewal of visual speech , are enough . From 1880 on , much advanced art would be more gratuitous , relativistic , ironic , and self - sufficient ( in the sense of ...
... hope of changing the world . The quest for formal perfection , and the renewal of visual speech , are enough . From 1880 on , much advanced art would be more gratuitous , relativistic , ironic , and self - sufficient ( in the sense of ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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