The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 85
... individual objects or phenomena in a picture are bewildered . You cannot make anything out . And indeed , if you take out any one part from a futurist picture , it then represents an absurdity . Because each part of a futurist picture ...
... individual objects or phenomena in a picture are bewildered . You cannot make anything out . And indeed , if you take out any one part from a futurist picture , it then represents an absurdity . Because each part of a futurist picture ...
Pagina 181
... individual fantasy ( another " noodle " ) for , as Mies chillingly put it , " the individual is losing significance ; his destiny is no longer what interests us . " Not one of Mies's designs was ever successfully prefabricated , because ...
... individual fantasy ( another " noodle " ) for , as Mies chillingly put it , " the individual is losing significance ; his destiny is no longer what interests us . " Not one of Mies's designs was ever successfully prefabricated , because ...
Pagina 283
... individual entity , that is the ideal .... Salvation shall come from Symbolism . By that I mean an art where the artist submits reality to his rule , which places mood and thought above everything and only uses reality as a symbol ...
... individual entity , that is the ideal .... Salvation shall come from Symbolism . By that I mean an art where the artist submits reality to his rule , which places mood and thought above everything and only uses reality as a symbol ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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