The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 127
... kind of sensations they wanted to heighten . Van Gogh's disappearance to Arles in 1888 was part of this move - " because , " as he wrote to his brother Theo , " not only in Africa but from Arles onward you are bound to find beautiful ...
... kind of sensations they wanted to heighten . Van Gogh's disappearance to Arles in 1888 was part of this move - " because , " as he wrote to his brother Theo , " not only in Africa but from Arles onward you are bound to find beautiful ...
Pagina 353
... kind of texture the dots make is usable to me in my work . But it's not saying that commercial art is terrible , or ... kind of paradox as Johns's , whereby a simple narrative sign – an image from a comic strip , not meant to be ...
... kind of texture the dots make is usable to me in my work . But it's not saying that commercial art is terrible , or ... kind of paradox as Johns's , whereby a simple narrative sign – an image from a comic strip , not meant to be ...
Pagina 356
... kind of American giganticism , that of the huckster rather than the builder - not because the place is big , but because ( at least at night ) it seems to be . Its monuments , the city lights , are conceived on a scale far beyond ...
... kind of American giganticism , that of the huckster rather than the builder - not because the place is big , but because ( at least at night ) it seems to be . Its monuments , the city lights , are conceived on a scale far beyond ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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