The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 124
... late nineteenth century , after Seurat and Monet , was Paul Cézanne , on whose work we have already touched . - From 1880 until the year he died , 1906 , Cézanne spent most of his time working in the South of France , in a studio ...
... late nineteenth century , after Seurat and Monet , was Paul Cézanne , on whose work we have already touched . - From 1880 until the year he died , 1906 , Cézanne spent most of his time working in the South of France , in a studio ...
Pagina 125
... late Cézanne – not even the bits of untouched canvas . This organized dialectic of shape and of colour is the subject of his famous remark that " Painting from Nature is not copying the object ; it is realizing one's sensations . " To ...
... late Cézanne – not even the bits of untouched canvas . This organized dialectic of shape and of colour is the subject of his famous remark that " Painting from Nature is not copying the object ; it is realizing one's sensations . " To ...
Pagina 237
... late work , most of it reflexively churned out to satisfy the demands of the market , is no exception ) , but Dali did so with unusual zeal , and his celebrity arises from the way in which he fulfilled two ruling clichés about artists ...
... late work , most of it reflexively churned out to satisfy the demands of the market , is no exception ) , but Dali did so with unusual zeal , and his celebrity arises from the way in which he fulfilled two ruling clichés about artists ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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