The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 124
Their third explorer in the late nineteenth century , after Seurat and Monet , was Paul Cézanne , on whose work we have already touched . From 1880 until the year he died , 1906 , Cézanne spent most of his time working in the South of ...
Their third explorer in the late nineteenth century , after Seurat and Monet , was Paul Cézanne , on whose work we have already touched . From 1880 until the year he died , 1906 , Cézanne spent most of his time working in the South of ...
Pagina 125
Nothing is empty in late Cézanne – not even the bits of untouched canvas . This organized dialectic of shape and of colour is the subject of his famous remark that “ Painting from Nature is not copying the object ; it is realizing one's ...
Nothing is empty in late Cézanne – not even the bits of untouched canvas . This organized dialectic of shape and of colour is the subject of his famous remark that “ Painting from Nature is not copying the object ; it is realizing one's ...
Pagina 237
Painters often imitate themselves ( and certainly Miró's late work , most of it reflexively churned out to satisfy the demands of the market , is no exception ) , but Dali did so with unusual zeal , and his celebrity arises from the way ...
Painters often imitate themselves ( and certainly Miró's late work , most of it reflexively churned out to satisfy the demands of the market , is no exception ) , but Dali did so with unusual zeal , and his celebrity arises from the way ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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