The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 9
... less since the time of Jesus Christ than it has in the last thirty years . " He was speaking of all the conditions of Western capitalist society : its idea of itself , its sense of history , its beliefs , pieties , and modes of ...
... less since the time of Jesus Christ than it has in the last thirty years . " He was speaking of all the conditions of Western capitalist society : its idea of itself , its sense of history , its beliefs , pieties , and modes of ...
Pagina 203
... less ardently realized as form , and their calligraphic flourishes had given way to a measured examination of space which , he hoped , would reveal a spiritual continuity throughout nature , uniting solid and void , positive and ...
... less ardently realized as form , and their calligraphic flourishes had given way to a measured examination of space which , he hoped , would reveal a spiritual continuity throughout nature , uniting solid and void , positive and ...
Pagina 270
... less concerned with Impressionist happiness than van Gogh , which was just as well , since none was less equipped to enjoy it . One cannot imagine the colourists of the next generation , men like Matisse or Derain , assigning the ...
... less concerned with Impressionist happiness than van Gogh , which was just as well , since none was less equipped to enjoy it . One cannot imagine the colourists of the next generation , men like Matisse or Derain , assigning the ...
Veelvoorkomende woorden en zinsdelen
abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell Campbell Campbell century Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living London look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social SOUP space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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