The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 180
... look at the designs Mies , at thirty - four , made for the most important architectural competition held in the first years of Weimar Germany - the Turmhaus - AG's Berlin contest for a high - rise building near Friedrichstrasse Station ...
... look at the designs Mies , at thirty - four , made for the most important architectural competition held in the first years of Weimar Germany - the Turmhaus - AG's Berlin contest for a high - rise building near Friedrichstrasse Station ...
Pagina 191
... look like membranes . Architects therefore wanted an opaque material that did not look as though it carried a load . They found it in stucco , or thought they had . To reduce a wall to a perfectly even sheet of plaster render , with ...
... look like membranes . Architects therefore wanted an opaque material that did not look as though it carried a load . They found it in stucco , or thought they had . To reduce a wall to a perfectly even sheet of plaster render , with ...
Pagina 353
... look what we've come to " - that may be a sociological fact , but it is not what this art is about . --- He was also fond of mildly sophomoric in - jokes , directed to his own life as an artist . " What do you know about my image ...
... look what we've come to " - that may be a sociological fact , but it is not what this art is about . --- He was also fond of mildly sophomoric in - jokes , directed to his own life as an artist . " What do you know about my image ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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