The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 11
For the late nineteenth century , the cradle of modernism , did not feel the uncertainties about the machine that we do . No statistics on pollution , no prospect of melt - downs or core explosions lay on the horizon ; and very few of ...
For the late nineteenth century , the cradle of modernism , did not feel the uncertainties about the machine that we do . No statistics on pollution , no prospect of melt - downs or core explosions lay on the horizon ; and very few of ...
Pagina 48
It all looks like a machine , slightly out of control : a machine à plaisir , reflecting the frenetic and marionette - like quality of public entertainment that other artists were beginning to discern in mass culture .
It all looks like a machine , slightly out of control : a machine à plaisir , reflecting the frenetic and marionette - like quality of public entertainment that other artists were beginning to discern in mass culture .
Pagina 82
But contemporaneity meant the machine ; and so in Goncharova's paintings , as in early Malevich or even Chagall , one sees incessant references to the machine aesthetic : Goncharova's steam - iron and metallically pleated shirtfront in ...
But contemporaneity meant the machine ; and so in Goncharova's paintings , as in early Malevich or even Chagall , one sees incessant references to the machine aesthetic : Goncharova's steam - iron and metallically pleated shirtfront in ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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