The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 11
... machine that we do . No statistics on pollution , no prospect of melt - downs or core explosions lay on the horizon ; and very few of the visitors to the World's Fair of 1889 had much experience of the mass squalor and voiceless ...
... machine that we do . No statistics on pollution , no prospect of melt - downs or core explosions lay on the horizon ; and very few of the visitors to the World's Fair of 1889 had much experience of the mass squalor and voiceless ...
Pagina 56
... machine , or at least a defiant machine ; but it was also a sad machine , a testament to indifference - that state of mind of which Duchamp was the master . Indeed , his finely balanced indifference was the divide between the late ...
... machine , or at least a defiant machine ; but it was also a sad machine , a testament to indifference - that state of mind of which Duchamp was the master . Indeed , his finely balanced indifference was the divide between the late ...
Pagina 82
... machine ; and so in Goncharova's paintings , as in early Malevich or even Chagall , one sees incessant references to the machine aesthetic : Goncharova's steam - iron and metallically pleated shirtfront in The Laundry , 1912 ( plate 46 ) ...
... machine ; and so in Goncharova's paintings , as in early Malevich or even Chagall , one sees incessant references to the machine aesthetic : Goncharova's steam - iron and metallically pleated shirtfront in The Laundry , 1912 ( plate 46 ) ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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