The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 89
No more mysticism ; instead , the articulation of materials . Instead of primitivism , modernity : the modernity of rivets ... Could one combine the two , in a didactic , ideal art of proletarian material ? Tatlin thought so , but his ...
No more mysticism ; instead , the articulation of materials . Instead of primitivism , modernity : the modernity of rivets ... Could one combine the two , in a didactic , ideal art of proletarian material ? Tatlin thought so , but his ...
Pagina 175
The second material of the future Utopia was reinforced concrete . A concrete block is strong in compression but weak in tension : its grains pull apart easily . But if steel rods are put in where tension occurs ( along the under side ...
The second material of the future Utopia was reinforced concrete . A concrete block is strong in compression but weak in tension : its grains pull apart easily . But if steel rods are put in where tension occurs ( along the under side ...
Pagina 310
Brancusi did not care about “ truth to material , ” and he made the Bird in black and white marble as well as polished metal so that he could see how the final form would behave when located in different substances : how the skin of the ...
Brancusi did not care about “ truth to material , ” and he made the Bird in black and white marble as well as polished metal so that he could see how the final form would behave when located in different substances : how the skin of the ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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