The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 89
... material . He wanted , he said , " to combine materials like iron and glass , the materials of modern Classicism , comparable in their severity with the marble of antiquity . " These substances had to be the stuff of construction : not ...
... material . He wanted , he said , " to combine materials like iron and glass , the materials of modern Classicism , comparable in their severity with the marble of antiquity . " These substances had to be the stuff of construction : not ...
Pagina 175
... material of the future Utopia was reinforced concrete . A concrete block is strong in compression but weak in tension : its grains pull apart easily . But if steel rods are put in where tension occurs ( along the under side of a simply ...
... material of the future Utopia was reinforced concrete . A concrete block is strong in compression but weak in tension : its grains pull apart easily . But if steel rods are put in where tension occurs ( along the under side of a simply ...
Pagina 310
... material , " and he made the Bird in black and white marble as well as polished metal so that he could see how the final form would behave when located in different substances : how the skin of the stone absorbs some light and gives the ...
... material , " and he made the Bird in black and white marble as well as polished metal so that he could see how the final form would behave when located in different substances : how the skin of the stone absorbs some light and gives the ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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