The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 17
... mean . It does not mean that " everything is subjective anyway , " so that no clear or truthful statements can be ... means that my perception of the mouse will be affected , consciously in some degree , but mainly without my knowing ...
... mean . It does not mean that " everything is subjective anyway , " so that no clear or truthful statements can be ... means that my perception of the mouse will be affected , consciously in some degree , but mainly without my knowing ...
Pagina 170
Robert Hughes. ADELF LOOS * " means a reduction in manufacturing time and an increase in wages . The Chinese carver ... mean the dynamiting of the musty past that Marinetti hoped for . It would rise in towers and ledges of " concrete ...
Robert Hughes. ADELF LOOS * " means a reduction in manufacturing time and an increase in wages . The Chinese carver ... mean the dynamiting of the musty past that Marinetti hoped for . It would rise in towers and ledges of " concrete ...
Pagina 227
... means extinct . The passing of folk traditions had not destroyed his kind , because the naïf was usually a city - dweller , convinced of his importance as an individual artist , and not a bit interested in the arts of peasant or ...
... means extinct . The passing of folk traditions had not destroyed his kind , because the naïf was usually a city - dweller , convinced of his importance as an individual artist , and not a bit interested in the arts of peasant or ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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