The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 93
... meant to be " way - stations " between painting , sculpture , and architecture . Their drafted exactitude , for Lissitzky , was a sign of economy and realism - " the frayed point of the paintbrush is at variance with our concept of ...
... meant to be " way - stations " between painting , sculpture , and architecture . Their drafted exactitude , for Lissitzky , was a sign of economy and realism - " the frayed point of the paintbrush is at variance with our concept of ...
Pagina 114
... meant that each colour changes its neighbour . Colour perception is therefore a matter of interaction , a web of connected events , rather than the simple presentation of one hue after another to the eye . Seurat resolved to make this ...
... meant that each colour changes its neighbour . Colour perception is therefore a matter of interaction , a web of connected events , rather than the simple presentation of one hue after another to the eye . Seurat resolved to make this ...
Pagina 191
... meant than the Villa Savoye , 1929–31 , standing in what was once meadow- land at Poissy , outside Paris ( plates 129 , 130 ) . It was the cube the Cubists never painted – a pristine white box , raised on twenty - six delicate columns ...
... meant than the Villa Savoye , 1929–31 , standing in what was once meadow- land at Poissy , outside Paris ( plates 129 , 130 ) . It was the cube the Cubists never painted – a pristine white box , raised on twenty - six delicate columns ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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