The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 121
... mind , unfolding subjectively , never fixed , always becoming . This analysis could not be done with hostile or unpleasant subject - matter ; the distraction would have been too great . The motif must be possessed . The meditation must ...
... mind , unfolding subjectively , never fixed , always becoming . This analysis could not be done with hostile or unpleasant subject - matter ; the distraction would have been too great . The motif must be possessed . The meditation must ...
Pagina 213
... mind - the Unconscious . That , in turn , would refresh our sense of the world by disclosing a whole network of hidden relationships , like the " lower Paris " of sewers and catacombs that stretched below the visible city . Chance ...
... mind - the Unconscious . That , in turn , would refresh our sense of the world by disclosing a whole network of hidden relationships , like the " lower Paris " of sewers and catacombs that stretched below the visible city . Chance ...
Pagina 269
... mind , embodied in nature , that exist beyond or below our conscious control . On the one hand , there was the scale of the world , seen as a place sanctified by its own grandeur , itself a reflection of the grandeur of God - the ...
... mind , embodied in nature , that exist beyond or below our conscious control . On the one hand , there was the scale of the world , seen as a place sanctified by its own grandeur , itself a reflection of the grandeur of God - the ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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