The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 75
Grosz drew innumerable prostitutes ; and he attacked them with a degree of moral vindictiveness that had scarcely been seen in art since the late Middle Ages . To him the whore was the Giftmädchen , the poison - maiden of German ...
Grosz drew innumerable prostitutes ; and he attacked them with a degree of moral vindictiveness that had scarcely been seen in art since the late Middle Ages . To him the whore was the Giftmädchen , the poison - maiden of German ...
Pagina 129
He wanted his paintings to be moral fables , and portentous ones at that ; he conceived of himself as a moral teacher , not just an engineer of visual sensation . This desire to preach to a wide audience on religious or ethical issues ...
He wanted his paintings to be moral fables , and portentous ones at that ; he conceived of himself as a moral teacher , not just an engineer of visual sensation . This desire to preach to a wide audience on religious or ethical issues ...
Pagina 292
And even today , any theory of art history that addresses itself exclusively to formal properties at the expense of symbolic and moral meanings has difficulty not only with Beckmann but with Expressionism in general – unless , as we ...
And even today , any theory of art history that addresses itself exclusively to formal properties at the expense of symbolic and moral meanings has difficulty not only with Beckmann but with Expressionism in general – unless , as we ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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