The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 18
... motifs multiply . . . . These " motifs " were not merely rocks and grasses ; they were the relationships between ... motif ( plate 2 ) . No previous painter had taken his viewers through this process so frankly . In Titian or Rubens ...
... motifs multiply . . . . These " motifs " were not merely rocks and grasses ; they were the relationships between ... motif ( plate 2 ) . No previous painter had taken his viewers through this process so frankly . In Titian or Rubens ...
Pagina 27
... motif ; Braque was not yet interested in the abstractions of the studio , and he felt a need to be on the spot . Specifically , he needed Cézanne's own motifs , and in the summer of 1908 he went off to paint in L'Estaque , in the South ...
... motif ; Braque was not yet interested in the abstractions of the studio , and he felt a need to be on the spot . Specifically , he needed Cézanne's own motifs , and in the summer of 1908 he went off to paint in L'Estaque , in the South ...
Pagina 118
... motif over and over again , in series . He probably got this idea from Japanese prints , which were widely circulated among the artists in Paris and furnished them with a stream of motifs . He may have got it from Hokusai's Hundred ...
... motif over and over again , in series . He probably got this idea from Japanese prints , which were widely circulated among the artists in Paris and furnished them with a stream of motifs . He may have got it from Hokusai's Hundred ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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