The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 269
... nature . " On the other hand , not all painters felt Wordsworth's visionary yet empirical peace with the natural world , and the further aspect of Romantic extremity was the desire to explore and record ( and so , perhaps , assuage ) ...
... nature . " On the other hand , not all painters felt Wordsworth's visionary yet empirical peace with the natural world , and the further aspect of Romantic extremity was the desire to explore and record ( and so , perhaps , assuage ) ...
Pagina 271
... nature , and van Gogh's sense of an immanent power behind the natural world was so intense that , once one has seen his Saint - Rémy paintings , one has no choice but to see the real places in terms of them - without necessarily seeing ...
... nature , and van Gogh's sense of an immanent power behind the natural world was so intense that , once one has seen his Saint - Rémy paintings , one has no choice but to see the real places in terms of them - without necessarily seeing ...
Pagina 324
Robert Hughes. SEVEN CULTURE AS NATURE - Unlike our grandparents , we live in a world that we ourselves made . Until about fifty years ago , images of Nature were the keys to feeling in art . Nature its cycles of growth and decay , its ...
Robert Hughes. SEVEN CULTURE AS NATURE - Unlike our grandparents , we live in a world that we ourselves made . Until about fifty years ago , images of Nature were the keys to feeling in art . Nature its cycles of growth and decay , its ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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