The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 17
... object : your eye is never still . It flickers , involuntarily restless , from side to side . Nor is your head still in relation to the object ; every moment brings a fractional shift in its position , which results in a minuscule ...
... object : your eye is never still . It flickers , involuntarily restless , from side to side . Nor is your head still in relation to the object ; every moment brings a fractional shift in its position , which results in a minuscule ...
Pagina 243
... object . Generally , Ray's objects were not “ extravagant , " but so ordinary - before the twist - as to be almost ... object was somewhat more complex : a metronome with an engraving of an eye impaled in its wand . Its sadistic ...
... object . Generally , Ray's objects were not “ extravagant , " but so ordinary - before the twist - as to be almost ... object was somewhat more complex : a metronome with an engraving of an eye impaled in its wand . Its sadistic ...
Pagina 357
... object . This self- contradiction is fundamental to much of Oldenburg's work . " I do things that are con- tradictory . I try to make the art look like it's part of the world around it . At the same time I take great pains to show that ...
... object . This self- contradiction is fundamental to much of Oldenburg's work . " I do things that are con- tradictory . I try to make the art look like it's part of the world around it . At the same time I take great pains to show that ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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