The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 163
... objects , as some critics persist in doing , as a form of modernist décor de luxe - Dick Diverish emblems of the rich life . Why not Camel packets instead of imported Gauloises ? Why does the matchbook cover have to come from La ...
... objects , as some critics persist in doing , as a form of modernist décor de luxe - Dick Diverish emblems of the rich life . Why not Camel packets instead of imported Gauloises ? Why does the matchbook cover have to come from La ...
Pagina 243
... object . Generally , Ray's objects were not “ extravagant , " but so ordinary - before the twist - as to be almost invisible . Such was the flat - iron to whose sole he added a row of nails , calling the result Gift : a supremely ...
... object . Generally , Ray's objects were not “ extravagant , " but so ordinary - before the twist - as to be almost invisible . Such was the flat - iron to whose sole he added a row of nails , calling the result Gift : a supremely ...
Pagina 301
... object and was entirely composed of bright colour - patches . Finally I approached closer and only then saw it for what ... objects from his work so as to reach a higher intensity of feeling . Abstraction for its own sake had no interest ...
... object and was entirely composed of bright colour - patches . Finally I approached closer and only then saw it for what ... objects from his work so as to reach a higher intensity of feeling . Abstraction for its own sake had no interest ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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