The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 163
Motherwell's collages have , at their best , an august elegance scarcely seen in the medium since Braque's Cubist papiers collés , to whose tradition ( rather than that of Kurt Schwitters's object - laden assemblages ) they belong .
Motherwell's collages have , at their best , an august elegance scarcely seen in the medium since Braque's Cubist papiers collés , to whose tradition ( rather than that of Kurt Schwitters's object - laden assemblages ) they belong .
Pagina 243
I disregard completely the aesthetic quality of the object ; I am against craftsmanship . ... Generally , Ray's objects were not “ extravagant , ” but so ordinary – before the twist -as to be almost invisible .
I disregard completely the aesthetic quality of the object ; I am against craftsmanship . ... Generally , Ray's objects were not “ extravagant , ” but so ordinary – before the twist -as to be almost invisible .
Pagina 301
The painting lacked all subject , depicted no identifiable object and was entirely composed of bright colour - patches . ... One thing became clear to me : that objectiveness , the depiction of objects , needed no place in my paintings ...
The painting lacked all subject , depicted no identifiable object and was entirely composed of bright colour - patches . ... One thing became clear to me : that objectiveness , the depiction of objects , needed no place in my paintings ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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Sign Wars: The Cluttered Landscape of Advertising Robert Goldman,Stephen Papson Gedeeltelijke weergave - 1996 |