The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 124
For the pond was as artificial as painting itself . It was flat , as a painting is . What showed on its surface , the clouds and lilypads and cat's - paws of wind , the dark patches of reflected foliage , the abysses of dark blue and ...
For the pond was as artificial as painting itself . It was flat , as a painting is . What showed on its surface , the clouds and lilypads and cat's - paws of wind , the dark patches of reflected foliage , the abysses of dark blue and ...
Pagina 146
Instead of painting , he reflected , wrote , and kept journals . When he got back to the easel in ... If ever a group of paintings made concrete the desire for measure , sublimation , attention , and calm , it was these ( plate 93 ) .
Instead of painting , he reflected , wrote , and kept journals . When he got back to the easel in ... If ever a group of paintings made concrete the desire for measure , sublimation , attention , and calm , it was these ( plate 93 ) .
Pagina 301
his painting to describe spiritual states , epiphanies of soul . How this might be done came to him in Murnau in 1908 , when he thought he had been given a glimpse of a revelatory tablet , the Rosetta Stone of a new art .
his painting to describe spiritual states , epiphanies of soul . How this might be done came to him in Murnau in 1908 , when he thought he had been given a glimpse of a revelatory tablet , the Rosetta Stone of a new art .
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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