The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 85
... proletariat's whole creation is constructed . One could say much the same of a Rubens or a Giotto - take away a piece from any highly organized structure , figurative or not , and the whole falls apart . In that sense , every work of ...
... proletariat's whole creation is constructed . One could say much the same of a Rubens or a Giotto - take away a piece from any highly organized structure , figurative or not , and the whole falls apart . In that sense , every work of ...
Pagina 87
... proletariat must assimilate the legacy of the old culture not as a pupil , but as a powerful , conscious and incisive critic . " But the immediate task of new art was Agitprop , agitation and propaganda . " Art is a powerful means of ...
... proletariat must assimilate the legacy of the old culture not as a pupil , but as a powerful , conscious and incisive critic . " But the immediate task of new art was Agitprop , agitation and propaganda . " Art is a powerful means of ...
Pagina 283
... proletariat , which Ensor hated with a paranoid passion - was not merely unreal but a sort of daemonic carnival , a collective of threatening masks . Clearly , then , Munch's preoccupation with masks and lonely crowds was part of a ...
... proletariat , which Ensor hated with a paranoid passion - was not merely unreal but a sort of daemonic carnival , a collective of threatening masks . Clearly , then , Munch's preoccupation with masks and lonely crowds was part of a ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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