The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 85
One was the kind of pure , geometrical abstraction to which , because it represented a final disengagement of painting from reality and marked its entry into the exalted realm of pure thought , he gave the name “ Suprematism ...
One was the kind of pure , geometrical abstraction to which , because it represented a final disengagement of painting from reality and marked its entry into the exalted realm of pure thought , he gave the name “ Suprematism ...
Pagina 213
This man , Breton thought , epitomised the relation between an artist and his chosen reality . The only poetry worth having must be so obsessive that it would create a parallel world . Art and life could then both renew themselves by ...
This man , Breton thought , epitomised the relation between an artist and his chosen reality . The only poetry worth having must be so obsessive that it would create a parallel world . Art and life could then both renew themselves by ...
Pagina 345
But its effect has not been ( as artists in the twenties hoped ) to convey us towards the heart of reality , wherever that organ may be , but rather to insulate and estrange us from reality itself , turning everything into disposable ...
But its effect has not been ( as artists in the twenties hoped ) to convey us towards the heart of reality , wherever that organ may be , but rather to insulate and estrange us from reality itself , turning everything into disposable ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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