The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 85
... reality and marked its entry into the exalted realm of pure thought , he gave the name " Suprematism ; " its banner and manifesto was the painting which seemed - and in some ways still seems to mark the farthest limit of painting's ...
... reality and marked its entry into the exalted realm of pure thought , he gave the name " Suprematism ; " its banner and manifesto was the painting which seemed - and in some ways still seems to mark the farthest limit of painting's ...
Pagina 213
... reality - a sur - reality , in the word he borrowed from Apollinaire , who in 1917 had described the ballet Parade , whose collaborators were Picasso , Jean Cocteau , Erik Satie , and Leonid Massine , as producing " une espèce de sur ...
... reality - a sur - reality , in the word he borrowed from Apollinaire , who in 1917 had described the ballet Parade , whose collaborators were Picasso , Jean Cocteau , Erik Satie , and Leonid Massine , as producing " une espèce de sur ...
Pagina 345
... reality , wherever that organ may be , but rather to insulate and estrange us from reality itself , turning everything into disposable spectacle : catastrophe , love , war , soap . Ours is the cult of the electronic fragment . Being so ...
... reality , wherever that organ may be , but rather to insulate and estrange us from reality itself , turning everything into disposable spectacle : catastrophe , love , war , soap . Ours is the cult of the electronic fragment . Being so ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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