The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 85
... realm of pure thought , he gave the name " Suprematism ; " its banner and manifesto was the painting which seemed - and in some ways still seems to mark the farthest limit of painting's escape from its depictive role , White on White ...
... realm of pure thought , he gave the name " Suprematism ; " its banner and manifesto was the painting which seemed - and in some ways still seems to mark the farthest limit of painting's escape from its depictive role , White on White ...
Pagina 265
... realm of the visual arts ) was largely dominated by those who had stayed and stuck out the years of the Occupation . It was now impossible for André Breton to claim the moral authority of Jean - Paul Sartre or Albert Camus . Giacometti ...
... realm of the visual arts ) was largely dominated by those who had stayed and stuck out the years of the Occupation . It was now impossible for André Breton to claim the moral authority of Jean - Paul Sartre or Albert Camus . Giacometti ...
Pagina 367
... realm of patronage , in the salon - the basic form of art display in nineteenth - century France . Instead of seeing the work of one artist selected as an exemplary voice by king or pontiff , one could go to the salon and there find a ...
... realm of patronage , in the salon - the basic form of art display in nineteenth - century France . Instead of seeing the work of one artist selected as an exemplary voice by king or pontiff , one could go to the salon and there find a ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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