The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 18
... remarked , the relation between late Cézanne and Cubism is quite one - sided : he would not have imagined a Cubist painting , for his work " was reaching out for a kind of modernity that did not exist , and still does not . " He would ...
... remarked , the relation between late Cézanne and Cubism is quite one - sided : he would not have imagined a Cubist painting , for his work " was reaching out for a kind of modernity that did not exist , and still does not . " He would ...
Pagina 161
... remarked , is " the skin of the world ; " and his art , far from being abstract in any Utopian sense , is meant to be an art of subject - matter . ( It is worth remembering that , in 1948 , Motherwell , William Baziotes , David Hare ...
... remarked , is " the skin of the world ; " and his art , far from being abstract in any Utopian sense , is meant to be an art of subject - matter . ( It is worth remembering that , in 1948 , Motherwell , William Baziotes , David Hare ...
Pagina 294
... remarked . " Maybe it's the lushness of the paint .... There's a kind of transfiguration , a certain fleshiness , in his work . " The link between Soutine and De Kooning is clearest in De Kooning's paintings of the seventies , the ...
... remarked . " Maybe it's the lushness of the paint .... There's a kind of transfiguration , a certain fleshiness , in his work . " The link between Soutine and De Kooning is clearest in De Kooning's paintings of the seventies , the ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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