The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 9
In Péguy's time , the time of our grandfathers and great - grandfathers , the visual arts had a kind of social importance they can no longer claim today , and they seemed to be in a state of utter convulsion .
In Péguy's time , the time of our grandfathers and great - grandfathers , the visual arts had a kind of social importance they can no longer claim today , and they seemed to be in a state of utter convulsion .
Pagina 59
The crimes of the elders seemed boundless to the young : they had not only started a war but lost it as well , and yet the only institution that seemed intact in postwar Germany was its military machine . After the catastrophes of ...
The crimes of the elders seemed boundless to the young : they had not only started a war but lost it as well , and yet the only institution that seemed intact in postwar Germany was its military machine . After the catastrophes of ...
Pagina 298
By 1950 it seemed that there were no such truths , and the event which revealed that painting could no longer deal cathartically with modern horrors was the Holocaust . If De Kooning's Women and Bacon's male nudes look isolated in their ...
By 1950 it seemed that there were no such truths , and the event which revealed that painting could no longer deal cathartically with modern horrors was the Holocaust . If De Kooning's Women and Bacon's male nudes look isolated in their ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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