The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 7
... seemed the best way to present at least some of this vast subject in so limited a frame , and to give a fairly wide panorama of the relations of art to ideas and to life in the modernist century . So I did not try to get everyone in ...
... seemed the best way to present at least some of this vast subject in so limited a frame , and to give a fairly wide panorama of the relations of art to ideas and to life in the modernist century . So I did not try to get everyone in ...
Pagina 9
... seemed to be in a state of utter convulsion . Did cultural turmoil predict social tumult ? Many people thought so then ; today we are not so sure , but that is because we live at the end of modernism , whereas they were alive at its ...
... seemed to be in a state of utter convulsion . Did cultural turmoil predict social tumult ? Many people thought so then ; today we are not so sure , but that is because we live at the end of modernism , whereas they were alive at its ...
Pagina 59
... seemed boundless to the young : they had not only started a war but lost it as well , and yet the only institution that seemed intact in postwar Germany was its military machine . After the catastrophes of Verdun and the Somme , this ...
... seemed boundless to the young : they had not only started a war but lost it as well , and yet the only institution that seemed intact in postwar Germany was its military machine . After the catastrophes of Verdun and the Somme , this ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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