The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 38
... Seen from the first platform it corkscrewed around its own axis , and seen from the top it collapsed into itself , doing the splits , its neck pulled in . . . . Delaunay must have painted the Tower thirty times , and he was almost the ...
... Seen from the first platform it corkscrewed around its own axis , and seen from the top it collapsed into itself , doing the splits , its neck pulled in . . . . Delaunay must have painted the Tower thirty times , and he was almost the ...
Pagina 89
... seen on a visit to Paris in 1913. Picasso's constructed sculptures of 1912 , especially the Guitar ( plate 51 ) , were the most radical change in sculpture since the invention of bronze - casting : for the first time , the emphasis ...
... seen on a visit to Paris in 1913. Picasso's constructed sculptures of 1912 , especially the Guitar ( plate 51 ) , were the most radical change in sculpture since the invention of bronze - casting : for the first time , the emphasis ...
Pagina 337
... seen , it served as a still , enigmatic centre to the turmoil of Pop it had helped provoke . In Johns , the fifties artist – imagined as " hot , " expressive , and tragic , the Romantic culture hero as evoked by Harold Rosenberg - was ...
... seen , it served as a still , enigmatic centre to the turmoil of Pop it had helped provoke . In Johns , the fifties artist – imagined as " hot , " expressive , and tragic , the Romantic culture hero as evoked by Harold Rosenberg - was ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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