The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
Vanuit het boek
Resultaten 1-3 van 76
Pagina 15
One did not need to be a scientist to sense the magnitude of such changes . They amounted to the greatest alteration in man's view of the universe since Isaac Newton . The feeling that this was so was widespread .
One did not need to be a scientist to sense the magnitude of such changes . They amounted to the greatest alteration in man's view of the universe since Isaac Newton . The feeling that this was so was widespread .
Pagina 124
Mallarmé's “ negated object , ” the Symbolist sense of reality lurking behind its semantic veils , is also the world as glimpsed in Monet's lily - pond ( plate 78 ) . For the pond was as artificial as painting itself .
Mallarmé's “ negated object , ” the Symbolist sense of reality lurking behind its semantic veils , is also the world as glimpsed in Monet's lily - pond ( plate 78 ) . For the pond was as artificial as painting itself .
Pagina 404
It displays a perceptible vehemence of thought , a sense of grappling with the motif and not blurring its import for the sake of style . There is , in fact , something in common between the blunt discourse of Pearlstein's approach and ...
It displays a perceptible vehemence of thought , a sense of grappling with the motif and not blurring its import for the sake of style . There is , in fact , something in common between the blunt discourse of Pearlstein's approach and ...
Wat mensen zeggen - Een review schrijven
We hebben geen reviews gevonden op de gebruikelijke plaatsen.
Veelvoorkomende woorden en zinsdelen
abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
Verwijzingen naar dit boek
Sign Wars: The Cluttered Landscape of Advertising Robert Goldman,Stephen Papson Gedeeltelijke weergave - 1996 |