The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 163
His interest in Surrealist automatism , the acceptance of chance and impromptu gesture , records itself in the fact that the shapes , when altered , are invariably torn rather than cut . One cannot predict the final shape of a ripped ...
His interest in Surrealist automatism , the acceptance of chance and impromptu gesture , records itself in the fact that the shapes , when altered , are invariably torn rather than cut . One cannot predict the final shape of a ripped ...
Pagina 300
He had a completely eidetic memory , and could visualize the shape , colours , tone , and location of any object at will , projecting it on the real world as though by a magic lantern : “ All the forms I ever used come ' from themselves ...
He had a completely eidetic memory , and could visualize the shape , colours , tone , and location of any object at will , projecting it on the real world as though by a magic lantern : “ All the forms I ever used come ' from themselves ...
Pagina 308
A third was machine technology , with its polished and regular shapes . ... Usually it is an ideal whole , pushed out of shape so that it no longer resembles a Platonic solid and can now take its place in the natural world ...
A third was machine technology , with its polished and regular shapes . ... Usually it is an ideal whole , pushed out of shape so that it no longer resembles a Platonic solid and can now take its place in the natural world ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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