The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 163
... shapes , when altered , are invariably torn rather than cut . One cannot predict the final shape of a ripped edge . It is manual chance . ( One of Motherwell's works from the late fifties made a point of this with its Joycean title ...
... shapes , when altered , are invariably torn rather than cut . One cannot predict the final shape of a ripped edge . It is manual chance . ( One of Motherwell's works from the late fifties made a point of this with its Joycean title ...
Pagina 300
... shape his work . Moreover , Kandinsky's belief in the possibility of an abstract language of colour was grounded in his own abnormally strong visual reactions - responses which few artists , let alone ordinary viewers , could have ...
... shape his work . Moreover , Kandinsky's belief in the possibility of an abstract language of colour was grounded in his own abnormally strong visual reactions - responses which few artists , let alone ordinary viewers , could have ...
Pagina 308
... shapes . And so in Brancusi's sculpture , the " primitive " and folkloric encountered a quintessentially modernist reduction ... shape so that it no longer resembles a Platonic solid and can now take its place in the natural world , but ...
... shapes . And so in Brancusi's sculpture , the " primitive " and folkloric encountered a quintessentially modernist reduction ... shape so that it no longer resembles a Platonic solid and can now take its place in the natural world , but ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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