The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 325
In short , paintings educate but signs discipline ; mass language always tends to speak in the imperative voice . The idea of sitting down and painting the environment of signs and replications that made up the surface of the modern ...
In short , paintings educate but signs discipline ; mass language always tends to speak in the imperative voice . The idea of sitting down and painting the environment of signs and replications that made up the surface of the modern ...
Pagina 327
That is why signs rarely appear in Impressionist painting ; one cannot read the absinthe label in a Degas , or the book titles in a Cézanne portrait . Up to then , the only writing tolerated in a painting had been emblematic - an ...
That is why signs rarely appear in Impressionist painting ; one cannot read the absinthe label in a Degas , or the book titles in a Cézanne portrait . Up to then , the only writing tolerated in a painting had been emblematic - an ...
Pagina 337
a а > sociable profusion of signs , Johns explored what was hermetic in them . His work was about difficulty , a subtle didacticism projected through an interest in the ready - made image . From the moment he appeared in 1958 – a ...
a а > sociable profusion of signs , Johns explored what was hermetic in them . His work was about difficulty , a subtle didacticism projected through an interest in the ready - made image . From the moment he appeared in 1958 – a ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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Sign Wars: The Cluttered Landscape of Advertising Robert Goldman,Stephen Papson Gedeeltelijke weergave - 1996 |