The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 325
... signs discipline ; mass language always tends to speak in the imperative voice . The idea of sitting down and painting the environment of signs and replications that made up the surface of the modern city was obviously absurd . But how ...
... signs discipline ; mass language always tends to speak in the imperative voice . The idea of sitting down and painting the environment of signs and replications that made up the surface of the modern city was obviously absurd . But how ...
Pagina 327
... signs rarely appear in Impressionist painting ; one cannot read the absinthe label in a Degas , or the book titles in a Cézanne portrait . Up to then , the only writing tolerated in a painting had been emblematic - an inscription below ...
... signs rarely appear in Impressionist painting ; one cannot read the absinthe label in a Degas , or the book titles in a Cézanne portrait . Up to then , the only writing tolerated in a painting had been emblematic - an inscription below ...
Pagina 337
... signs and art , and no Johnsian image was better fitted to display this than a target . Everyone knows what you do with a target . It is the simplest of signs . It has one meaning : receptivity . You pick up a gun and shoot at it ...
... signs and art , and no Johnsian image was better fitted to display this than a target . Everyone knows what you do with a target . It is the simplest of signs . It has one meaning : receptivity . You pick up a gun and shoot at it ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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Sign Wars: The Cluttered Landscape of Advertising Robert Goldman,Stephen Papson Gedeeltelijke weergave - 1996 |