The Shock of the NewKnopf, 1981 - 423 pagina's A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 139
... social structure that went with the word " Music " in late tsarist Russia . Music pervaded the culture at every level , but in Moscow and St. Petersburg it was the social art par excellence . Against this atmosphere of social ritual ...
... social structure that went with the word " Music " in late tsarist Russia . Music pervaded the culture at every level , but in Moscow and St. Petersburg it was the social art par excellence . Against this atmosphere of social ritual ...
Pagina 207
... social memory as it stands , there is no such thing as a workable or humane architecture . Hence , most of the " classics " of Utopian planning have come to look inhuman , or even absurd ; they have ceased to work , and to a point where ...
... social memory as it stands , there is no such thing as a workable or humane architecture . Hence , most of the " classics " of Utopian planning have come to look inhuman , or even absurd ; they have ceased to work , and to a point where ...
Pagina 377
... social art as not to . " His idea of a more social art has little to do with social realism . It is closer to fragmented history - painting ( an attempt made , but more disconnectedly and allusively , by Rauschenberg in the 1960s ) ...
... social art as not to . " His idea of a more social art has little to do with social realism . It is closer to fragmented history - painting ( an attempt made , but more disconnectedly and allusively , by Rauschenberg in the 1960s ) ...
Veelvoorkomende woorden en zinsdelen
abstract Abstract Expressionism aesthetic American architects architecture artist avant-garde Bauhaus become Berlin Braque Breton Bruno Taut building CADAGP Campbell Campbell Campbell Cézanne Cézanne's Chirico's collage colour Corbusier Cubism culture Dada Dali Duchamp Ernst Expressionism Expressionist fantasies figures French Futurist Gallery Gauguin Georges Braque German glass Gogh Gropius Henri Matisse idea ideal imagery images imagined Jackson Pollock Kandinsky landscape Le Corbusier Leo Castelli London look machine Marcel Duchamp Mark Rothko mass Matisse Matisse's Max Ernst meaning meant metaphor Modern Art modernist Mondrian Monet motif Munch Museum of Modern nature nineteenth century objects Oil on canvas Pablo Picasso painter painting Paris Picasso plate political Pollock Pop art Rauschenberg reality Rothko Russian sculpture seemed seen sense Seurat sixties social SOUP SOUP space SPADEM studio style surface Surrealism Surrealist symbol Thames & Hudson things TOMATO Tower tradition twentieth century Utopian visual wanted watercolour wrote York
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