The Shock of the NewA beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. Copyright © Libri GmbH. All rights reserved. |
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Pagina 10
... the essential economic difference between the Third Republic and the Ancien Régime . What more brilliant centrepiece for it than a structure that turned its back on the ownership of land – that occupied unowned and previously ...
... the essential economic difference between the Third Republic and the Ancien Régime . What more brilliant centrepiece for it than a structure that turned its back on the ownership of land – that occupied unowned and previously ...
Pagina 173
All substances deflect when loaded ; their use in structure depends on how much they deflect under what load , and whether they want to spring back . What makes a material useful for building is , roughly speaking , the relative ...
All substances deflect when loaded ; their use in structure depends on how much they deflect under what load , and whether they want to spring back . What makes a material useful for building is , roughly speaking , the relative ...
Pagina 191
Then , the bulk of the structure could appropriately be seen as volume , generated by the intersection of planes with space flowing round them , rather than mass or simple structure . What was visible on the outside was also done inside ...
Then , the bulk of the structure could appropriately be seen as volume , generated by the intersection of planes with space flowing round them , rather than mass or simple structure . What was visible on the outside was also done inside ...
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abstract American architects architecture artist avant-garde became become believed body Braque building called Campbell century clear Collection colour created Cubism culture drawing early effect experience expression Expressionism fact feeling field figures French future Gallery German give glass hand human idea ideal images imagined interest Italy kind landscape late later less light living look machine mass material Matisse meaning meant mind Modern Art modernist moral movement Museum named nature never objects Oil on canvas once painter painting Paris perhaps Picasso plate political Pop art produced reality sculpture seemed seen sense shape signs social space street structure studio style surface Surrealist symbol things thought took Tower tradition turned wall wanted whole wrote York
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